Bobby Tahouri

Composer — Rise of the Tomb Raider, Marvel’s Avengers

“Schallenberg Engineering's libraries are really great. I’ve been using the percussion in my current video game project, and it’s refreshing how playable and responsive the feel is when I program the percussion live. It feels like I’m playing the actual instrument instead of triggering my MIDI keyboard.”

On Collision Series

Nuno Malo

Composer — The Celestine Prophecy, Amália

“Absolutely stunning instrument. The recordings are breathtaking, with rich and beautiful low end that really resonates. After watching the walkthrough, I am even more impressed by the depth and thoughtfulness behind every detail. The room mics sound is just magical. It feels incredibly musical, inspiring and intuitive to work with. The interface is brilliant, so intelligently designed with features I know I will actually use. Congratulations to the team for creating something truly special.”

On Ritual

Bradford Nyght

Award-winning Composer & Sound Designer

“Really stellar patches. I’m stoked to have this in my template. The slightly broken, imperfect nature of the sounds is so useful for signature beds and smaller moments against film.”

On Artefakt

Mohamed El Batrawi

“You know a library is that good when it first tricks you to think it's a phrase library but then shocks you that it's not! Can't be happier with the tasteful choice of articulations/techniques that all make sense together in one small package.”

On Engine Percussion: Raw Darbukas